Thomas
Lehn |
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Tim
Hodgkinson [London] • flat guitar, electronics, reeds The group met at Szünetjel Festival in Budapest 1997. For booking please contact us here
Wed. October 15, Tilburg @ Paradox
CD RELEASES:
FESTIVAL APPEARANCES
TOURS
PRESS
"Heralded by a release on the Grob label - Big Deep, recorded in
Rome, Tilburg and Brussels - Konk Pack's appearance at a central London
venue attracted a sell-out crowd. The accelerated,interactive electronica
of Roger Turner (percussion), Tim Hodgkinson (deconstructed tabletop guitar)
and Thomas Lehn (analogue synth) arises from a scintillating heap of sonic
detritus the way an artificial intelligence manifests itself in a Manga
movie: a writhing mass of automobiles, arcade consoles, street furniture
and mobile phones. Hodgkinson attacks his amplified strings with plectrum
and bow, his specs glinting as he waits for the right awkward moment to
kloodge a sonic shard on the side of one of Turner's amazingly vocalised
motifs (at times you swear you hear collaborator Phil Minton's mucal snorts).
Lehn restricts his pianism on analogue synth to pinched blurts, but still
manages to resemble a switched-on Liszt. Although we itched to interrupt
with applause, Konk Pack played an unbroken 45 minute set: fun debris,
rollicking freakouts ... and one magical section of scrape and pling where
the music seemed to play itself."
"Collectively improvised music comes in many forms, with as many
degrees of success. Only some genuinely presses the envelope, pushing
into a terrain where the unknown can happen and where even the best players
encounter risk. On that transcendent scale, the trio Konk Pack - Tim Hodgkinson
on table-top guitar and clarinet, Thomas Lehn on synthesizer, and the
wondrous Roger Turner on percussion - fared best among the groups at this
festival [Festival International Musique Actuelle Victoriaville, May 2000],
creating music in which a barrage of discreet particles bounced around,
colliding in a universe in which chance and interactivity blurred into
one another. Playing at one o'clock on Saturday afternoon in the festival's
smallest venue, Konk Pack established a benchmark by which other improvisers'
performances would inevitably be judged."
"As for pure total improvisation, the verdict on german-english trio
Konk Pack was unanimous. Even listeners unreceptive to improvised noise
(bending frequencies and sound-textures via an analog synth, manipulation
of a guitar on a table, free percussion, etc) were won over by these subtle
sonorities superbly segued, magnificent interplay."
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